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Greetings!

Hope you are doing well.

Below are Six Things i always bring on documentary, broadcast/cable Television or corporate video location shoots.

I have also added an important Location story telling technique at the bottom of this newsletter.

Look forward to seeing you in one of our workshops here in San Francisco.


Aron Ranen  Instructor DVworkshops
Contact:  info@dvworkshops.com      (415) 810-5934

Upcoming Workshops
6-Day DV Documentary / DV Journalist Workshop July 20-25  $995


2-Day Final Cut Pro Basic Editing.. August 1 & 2     $395

Info Request form, more details .please click here
 
1. Release Forms led
Get a signed release form from everyone that appears in your movie. (public crowds in public spaces, no releases needed for News or Documentary)

There are even more legal issues with background music in cafes, bars, be careful and turn those off or lower volume.  Experts tell me you have to clear all background music with the composer and performer, even if it is low in the background.

Here is link to a release form that is simple and ready to print out right now.Check the internet for others with more specific language for your project.

 
2. Make-up Powderled
Some folks have skin that shines, other's are "hair challenged".

A couple of pats from your make-up compact will save the shot and perhaps the DAY!


Regular powder from the drug store is fine.
 
3. Color Correction Gel for On-Camera Light
If you have taken one of my classes, you have seen how much production value a small 3 watt light can do on top of the Canon HV30 or HF100 series cameras.  Or the new LED lights atop the Sony FX series camera as pictured below.

But in both cases, you need to understand how to use gels and Glass adapters to match the type of light you are filming in.

INDOOR LIGHT IS RED/ORANGE
OUTDOOR LIGHT IS BLUE

First, the LED Lights, as pictured to the right.

These lights match DAYLIGHT.  If you are  filming inside with INDOOR LIGHT, you need to put the ORANGE / RED GEL OR GLASS in front of the light. Gel name is CTO, and usually ships with the LED Lights.

By doing this you will change the color temperature to Red or 3200K..and the people will not look too BLUE or the Background too RED. 

For the non-LED lights,blue gel on light camera as pictured here..these match INDOOR light, if you are INSIDE, and the room is filled with only INDOOR (regular home lighting), you do not need to do anything.

BUT, if you are inside and the MAIN SOURCE OF LIGHT IS COMING FROM A WINDOW OR SKYLIGHT (bright sunny afternoon and you are filming inside a sun filled Kitchen)
You must add a 1/4 or 1/2 CTB (BLUE GEL) on the light to make it match the Blue light (outdoor light) filling the Kitchen. 

Do the same OUTDOORS and this light can help fill shadows.

spun I SUGGEST USING "TOUGH SPUN (1/2 OR 1/4) ON ALL OF THESE TYPES OF LIGHTS. ON RIGHT IS PHOTO OF TOUGH SPUN. It softens the light and makes it less of a intense spotlight.

LINK to PLACE THAT SELLS TOUGH SPUN & BLUE GEL (CTB)
 
4. Bring Great Interview Techniques with you !
 led

I always bring a few interview tricks that makes my job easier.






                                    Click above to view Student Documentary

The best Interview technique:


After the person finishes, wait a moment, than repeat the last three or four words they just said.

For example:

Subject:  "I love apples because they make me smile when I eat them."

Interviewer: "Smile when you eat them?"

Subject:  "Yeah they bring back memories of me and my dad picking them when I was a kid."

This "fills" the conversational gap, and usually the person will continue on, digging deeper into the subject.

Try this once and you will lose your fear of doing an interview.  It's easy, just listen and feedback...go with the flow...

...and the last question you should always ask someone is:

"Is there anything I have not asked you that you would like to share with me?"

 
 5. Lavalier Microphones
If your filming an interview.  You had better use  one of these.
led

Lavalier clip on mics.  Tiny Mics are clipped on to the person's shirt. IT IS THE BEST WAY TO GET YOUR MAIN INTERVIEW AUDIO. I love the wireless ones,  they allow you to WALK AND TALK the interview...click here for an example of walk and talk interview style.

 ledRemember to buyled WIND SCREENS for your Lavalier mics..bring two with you at all times.

Please click here for link to another article on AUDIO ESSENTIALS for DIGITAL VIDEO.

 
6. ND 9 GEL FOR THE WINDOWS
ND= Nuetral Density
led

This Gel comes in large rolls to cover big windows. THE before and after shots to the right do not lie.  ND 9 GEL on the window allows the viewer to actually see the background, and not have it "Blown out" or Over-exposed.

Put your subject 5-15 feet away from this window, throw some light on them, frame out the edges of the ND 9 GEL.  The background will be full of color and correct exposure.

This is one of the best kept secrets of creating nice looking video when dealing with windows.

link to place that sells ND 9 Gel in sheets & rolls
 
SUMMARY

SIX THINGS TO BRING ON EVERY LOCATION VIDEO SHOOT
led
 
  1. RELEASE FORMS
  2. COMPACT MAKE UP KIT
     
  3. BLUE OR ORANGE GEL/GLASS FOR ON-CAMERA LIGHTS
  4. GREAT INTERVIEW TECHNIQUES: REPEAT LAST 3 WORDS
  5. CLIP-ON LAVALIER MICS FOR INTERVIEWS- w /windscreens
  6. ND 9 GEL FOR WINDOWS

One more Tip below!

 
ONE FINAL STORY TELLING SUGGESTION

GET CLOSE-UP SHOTS

led

 
Make sure you or your camera person has a hefty selection of close up shots for you to use in the edit.

There is a Rule of editing that suggests the editor avoid
cutting the same angle or image shot size next to each other (as pictured below)

ledled

The Correct Edit would insert a.Close Up between the two shots 

Example: Wide shot street, cut to Close up Street Sign. cut back to Wide shot street. This is a stronger edit sequence. avoiding a "jump Cut"

ledclose up street signled

If you do not get lot's of close ups at your location, you will not be able to make this edit later on.  GET CLOSE UPS, indoor and outdoors!

 
 
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