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  • Getting your documentary project off the ground
  • How to tell if you are going in the right direction.
  • Follow the Story
  • Summary
  • Applying Story Structure to Documentary Video/Film. Workshop Begins Wednesday Night April 27 7pm. $75
  • Breast Cancer DVD Benefit May 21 8-12pm
  • Link to our on-line Free DV & HDV Video Handbook

  •  
    DV Camera Bootcamp May 14 10am-7pm $95.....Final Cut Pro HD Weekend Intensive May 21 & 22 10am-7pm $295
    class
    steve

     

     

    DVworkshops Newsletter__________ Getting your documentary project off the ground
    Learning to test and trust your documentary Idea
    April 2005

    Summer is coming, here's our summer class schedule
    • May 14 DV Camera Bootcamp 10am-7pm $95
    • May 21 & 22 Final Cut Pro HD Weekend Intensive $295
    • June 13-16 DV Crash Course 4 Days $495
    • June 25 & 26 Two Day DV Camera/Lighting Bootcamp $295
    • July 25-30 Six Day Documentary / DV Journalist Workshop $995
    • May 21 Breast Cancer DVD Benefit at DVworkshops San francisco 8pm-12pm
    April 27 & May 4 Story structure for Documentary Workshop $75
  • This Wednesday Night April 27 & May 4 from 7-10pm we are offering the perfect course for all the students of DVworkshops as a "next step" class. It is Screenwriter Chris Upham's Class on Applying Story Structure to non-fiction DV/film projects. I urge you all to join me for this great opportunity to learn how to tell a better story. More info at the bottom of this newsletter


    Aron Ranen (415) 820-9622

  • Getting your documentary project off the ground
    start shooting right away.

    You can spend years planning, taking classes, reading all the internet sites and catch the "Curse of the documentary that never got Made". The key to getting your documentary project off the ground is to start shooting right away. Set up interviews, film your characters at an event or walking down their street. Just start!

    The truth is...most documentaries start out about one subject and end up focusing on another. For example the Documentary "Capturing the Friedmans" began as a story about New York City birthday Party Clowns. The performers who perform at children's parties. In a bizzare twist, one of these clowns ends up being part of the Friedman family. His brother and father were convicted of Child Molestation. The Clown claimed that they were innocent. The Filmmaker changed the focus from Party Clowns...to an investigation into these two men's story. The filmmaker also was lucky, the Friedman family had been video recording all the family meetings during the trial. There was also family film footage dating back Forty years. Remember, this is not RADIO....a treasure trove of footage is key to telling this story. The filmmaker saw this opportunity, thought it was a better idea then the bithday clowns...and ended up with a hit film that played on big screens in most major cities....oh yeah, and it was Academy AwardŽ Nominee for Best Documentary Feature.

    Click here to view a clip from "Capturing the Friedmans" Documentary Feature

    How to tell if you are going in the right direction.
    Strong characters are your first clue.

    Good characters are like actors in your movies. The more they "Break Thru" the better the subject. Breaking thru is when the subject almost jumps out of the monitor and you can sense his or her personality and charm. HBO is currently airing a series of documentaries that chronicle the lives of crack addicts in New York. The film works because the main characters jump out at you...it's almost like you get to know them.

    Another reason to shoot right away, is that you will immediately see if your documentary subject will work on film/video.

    The relationship of the fillmmaker and subject is the key to making characters work. Always be truthful and authentic with your subjects. Never lie. If you have time to visit them without a camera between shooting days, that can also help. If I do visit without a camera, I never raise a topic I want on the film, and keep it more light and off topic. I hate hearing a rehearsed interview bite, I almost never ask someone to say something again.

    Click here for DVworkshops Homepage & Documentary Class information

    Follow the Story
    Don't be a control Freak

    To the right is an image from my documentary TELEVISION BELIEVERS, it began as a video about a TV Faith Healer...but took a huge left turn while I was making it.

    Dramatic events will unfold , follow them. Do not ignore a great scene, just because "it's not what my film's about." If it involves your characters or story you need to film it. Unless you have psychic powers and can predict the future...how do you know that your film may not need this scene? Perhaps you will stumble on another character?

    This happened during the filming of "Television Believers". I was creating a documentary about Television Faith Healer Peter Popoff . I attended one of his crusades with my camera in order to arrange follow-up interviews with those he "Heals". I start shooting.....interviews, cutaways...etc...when suddenly a guy with a badly placed wig approaches me. "Do you work for Peter Popoff?", he asks me in a hushed voice. "No", I answer him. Suddenly he thrusts his card into my hand and pleads for me to call him right after the event.

    This man was "Psychic Debunker - The Amazing Randy". His team was dressed as janitors and used a radio scanner to intercept the secret radio transmission link between the preacher and his wife backstage. Popoff's wife transmitted him the names and addresses of people in the audience, many of his followers into believied that he had psychic powers. I ended up making the entire documentary about Popoff and his deception. My film changed at the last minute. It can happen to you ...if you are open to it!

    Always let your story flow. Follow it...see where it takes you. Use interview techniques that help reveal things, that might lead to a new story. One of the best Interview techniques is to simply "Build your questions from the subject's answers". If you are interviewing them about their mother, and they reveal a new twist...ask them about the new idea. You can also just "Feedback" the last phrase the person said...just repeat the last few words...it fills the conversational "hole" and allows your subject to continue elaborating on the subject, but you are not leading them. They are taking you to a new place.

    Click here to view sample from "Television Believers" Documentary

     Summary
    get going right now

    You must start your project right away...rent a 3 chip cmaera with a Sennheiser ME 80 Shot gun mic and a Lavalier clip on mic. Use a light on your camera for dark live action scnes or event coverage..put a peice of Tough Spun (1/2) over the light to soften it. Just a 10 watt bulb can make all the difference in the world. Stay away from the camera using "Gain". It makes your picture light, but adds noise to the image. Get yourself a little light for your camera.

    Editing is another step, this newsletter is about getting rid of the CURSE OF THE FILM THAT NEVER GOT MADE. Start shooting right away, even if is is just to "screen test" your subjects.

    Read more about lighting and microphone in our free DV Video Handbook...Click here

    uoham Applying Story Structure to Documentary Video/Film. Workshop Begins Wednesday Night April 27 7pm. $75
    Finding the Story in your Documentary Footage. April 27 & May 4

    Christopher Upham is a San Francisco-based documentary producer/director, script consultant and screenwriter. His Visual Storytelling method applies fiction film techniques to documentary storyfinding. Recent documentary consulting credits include: Ellen Perry's THE FALL OF FUJIMORI and Taggart Siegel's THE REAL DIRT ON FARMER JOHN. Mr. Upham is on Staff at the Squaw Valley Community of Writers Screenwriting program. His feature documentary about veterans going back to Vietnam - RETURN TO DAK TO - is currently in postproduction.

    He will be teaching our new course that promises to help you apply story structure to your own documentary projects. Two Wednesday Nights, from 7-10pm at our school. The first class will be a lecture and discussion of story structure, character development and production techniques. The second class is an opportunity for students to give a one minute pitch and/or show five minutes of fooage for group feed-back and ideas from Chis. All the way Chris will be sharing a screenwriters perspective on sculpting and finding the story in your non-fiction fim.

    Click here for Registration information

    Breast Cancer DVD Benefit May 21 8-12pm
    Help support a good cause and meet other filmmakers

    DVworkshops's student Vivian Wittala had 16 friends diagnosed with Breast cancer. 14 survived, and she interviewed everyone of them about all the stages of the discovery and treatments. She edited them together into major themes, and prouced a three DVD set that has these women's honest thoughts ( and second thoughts) about evey step of their illness. Mistakes they or their doctors made...confidence in the treatment they followed and more.

    Imagine a woman who is alone in a midwest town with no one she can confide in about her diagnosis. These DVDs are a way to contect with other women (including the filmmaker) who have survived Breast Cancer. The benifit party is opne to all, Sliding scale $10-100 All proceeds will go towards duplication , postage, and creation of a website to distribute these free of charge to women across america. Drinks, snacks, music and Vivian's DVDs on five computers for people to explore.


    Link to our on-line Free DV & HDV Video Handbook
    info at your fingertips

    Over ten articles from "Conducting the Interview" to "Organizing your Documentary Footage" are now on-line. Popular articles include Lighting for DV, Audio for DV, Best Mics to buy and more. There is always an instant Downloadable Release Form for your documentary subjects to sign ( in the Conducting the interview article). It's free...please spread the word by forwarding this newsletter to a friend.

    Click here for our free on-line DV Handbook
  • DVworkshops Homepage
  • Link to place that sells Tough spun diffusion and other lighting gels and Black Foil
  • DV Documentary / Journalist workshop Workshop Description July 25-30
  • Link to DVworkshops San francisco Calendar
  • Click Here to read DVworkshops' Student Testimonials
  • Former students Success Stories and Testimonies are needed
    Please hit your Email REPLY button or Click on the Email link below to send Aron and DVworkshops the latest news and projects you are working on. Looking for production Help? Contact us and we will include it in the next newsletter. Did you take a course with us? Please send us feedback testimonials for use on our website.
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